Solacide
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Some weeks ago we came into contact with a Finnish band called Solacide, whose progressive and mature black metal creations impressed us so much, we couldn’t believe a label hadn’t snatched them up already. Fresh from the release of “Baptized in Disgust”, a demo which has very much helped to define their style, the band are not resting, but rather have gone straight back to the rehearsal room to start planning an album. I interrupted guitarist and band founder Kimmo, as well as new vocalist Gökhan, to catch up with Solacide’s past triumphs and future ambitions.
 
 

 

Hierophant Nox: Hail Solacide, how are you doing?
Kimmo: Fine, writing and rehearsing new material for Solacide. At the same time we’re promoting "Baptized In Disgust", and we are starting to get pretty good response, from abroad at least. 
 
HN: For those of our readers who have not encountered you previously, could you tell us the history of the band so far? 
K: Well, we’ve been together with drummer Matti Jauhola since 1996. we first worked under a name Lost Dimension, we were 13 years old when we started. We made one demo with that name, but... We wanted to change our style, Lost Dimension was more easy-going stuff, heavy metal meets death metal. 1998 we changed the name to Dim Moonlight, we made two releases, "To Tranquility" (2000) and "Pleasure Of Existence" (2003). After those we had feeling of changing the name for more suitable for the music again, and in 2004 Dim Moonlight turned into Solacide. Solacide sounded more suitable for our music. Many people has been asking the meaning of Solacide. Solacide means death of solace. 2005 we met Sami Tikkanen, and he joined to band as bass player, and his friend Joonas Vanhalakka followed him as guitarist to the band. We released "Waves Of Hate" in 2006, after that we tried to find a lead singer for the band since I got a bit tired of singing, and after trying a few guys we found Gökhan Korkmaz in 2008 and went to record "Baptized In Disgust" with the complete line-up. 
 
HN: We recently reviewed that latest demo, "Baptized in Disgust" which has been available now for some weeks - how are you feeling about it? Is there anything you would like to have done differently? How has the response been from the press and fans? 
K: Of course I’d like to change few things according the mixing, but we were in such a bad hurry, five days of recording, two days mixing with Räihä, who was touring with Before The Dawn between the studio days... Well, we couldn’t have made it better at the time. Few press releases have come out, and they have been good. Foreign feedback has been 99% positive, in Finland it’s been pretty ok, in here people just want to criticise everything you do. People seem to like our stuff more in abroad than here in Finland. 
 
HN: What ideas does the demo explore? What are the three tracks about? 
K: Musically it turned out much more progressive than our previous releases, it wasn’t planned or anything, songs just turned out to be bit more epic, at least songs "Disgust" and "God On Fire". Lyrically it is as aggressive as music. 
 
HN: Are lyrics an important feature for Solacide? Who has responsibility for writing them? 
K: I am writing both of them. In Solacide music comes first, then lyrics. Lyrics are many times a burden, when you’ve worked out a new song sometimes for months. Lyrics are quite aggressive, influences comes from everything that you experience in your life. "Baptized In Disgust"’s lyrics were born from the idea of everything you’ve been disgusted with in life. And in a black metal cliché, religion is the one of the most provoking subject when writing lyrics. Bad people will do bad things because they enjoy it, but if you want good people to do evil things, you only need religion. And when you see it happening, it makes you feel sick
 
HN: Your style has been described as 'progressive black metal'; would you agree with this label these days? Did you begin the band seeking to create a certain sound, or has your style developed over time? 
K: People can call it what they want, but progressive black metal may describe our music best. I started the band when we were just kids, but the point back then already was to play music that I like to hear, and that’s what we are still doing. In "Waves Of Hate" I think we found our style, and on Baptized In Disgust it went more progressive direction. Our style has evolved between every release. You can hear much more range of musical influences on the new songs. 

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HN: As mentioned, you have a number of previous demos, under the name of Dim Moonlight as well as Solacide. Has there been a big development from the first of these to "Baptized in Disgust" in terms of your skills as well? 
K: Yes, if you listen to the first releases... You can hear the writing and playing skill development between each record. We are proud of all our releases, from "To Tranquility" to "Baptized In Disgust". But new influences affects your writing, and makes your view wider. That’s what makes you a better player and a songwriter in my opinion. 
 
HN: There are a huge number of extreme metal bands trying to be recognised these days- what would you say especially makes Solacide stand out from the pack? 
K: I think we don’t have the boundaries that many bands try to keep around themselves musically. Band members’ playing skills are really good comparing to many other bands, and the songs the way they are composed is a bit more complex and experimenting than many bands won’t be able to create. Many black metal bands are too narrow-minded to explore anything that’s not strictly black metal. 
 
HN: When you were first discovering extreme metal, what bands impressed you most? Do you have influences from outside of the metal genre? 
K: Morbid Angel, Deicide, Cannibal Corpse, Emperor, Sentenced and Immortal were probably the first that caught my ear. Later came Nile, Akercocke, Meshuggah, Keep Of Kalessin etc, but also bands like Symphony X, Iron Maiden, Megadeth, Korn, Waltari, Devin Townsend and Dream Theater has been influencing quite a lot. 
Gökhan: Mayhem, Dissection, Emperor, Urgehal, Craft, Ondskapt, Marduk, Cannibal Corpse, Meshuggah, Lamb Of God, Deicide, Behemoth, Slayer, Sodom, Destruction, Motörhead, Iron Maiden … 
 
HN: Over the years you have gone through a large number of line-up changes, but it seems as if the band was 'completed' when Gökhan joined in 2008. Does the current line-up have a good creative atmosphere? Are you confident for its future? 
K: Yes, we are all good friends together, we get along really well. And it of course affects positively when working together. We don’t have any problems with anyone in the band, so I hope this line-up will last. 
 
HN: How does the song-writing process work within Solacide? Does one person take the lead or do all the members bring their different ideas to the practice room? 
K: I write the songs ready, record a demo at home, give it to guys, and then we check out some arrangements together. Up until now I’ve been writing all the lyrics also, but in future Gökhan will also participate writing lyrics. 
 
HN: You have produced new material consistently over the years, averaging one demo every three years; do you find it easy to create new tracks? What difficulties do you face? 
K: The hardest part is to create something that is fresh and new, yet it has to have "our" sound and it has to please mine and other band members’ ears. Riffs may sometimes be born very easily, but arranging riffs to a complete song is often the hardest part. 
 
HN: In the rest of the world we tend to think of Finland as being a good place for metal although you’ve suggested it is also a critical place- is the local scene strong? Does your geographical location inspire you or affect your music in any way? 
K: The metal scene in general is pretty ok. Of course there are a lot of bands and gigs, but there are only a few I go check out. Everything that surrounds you affects your writing. Landscapes, the weather, people... They create these atmospheres, and many times these situations inspires you to re-create or translate that feeling into a music. 
 
HN: Is playing live important for the band? Do you have any shows booked for the coming months? 
K: We like to do live shows, at this point we haven’t booked any new gigs, but I think we’re gonna start doing gigs around this summer. 
 
HN: Have you had interest from labels following the release of your demos? What kind of label would you eventually like to sign with? 
K: A few labels have contacted us, but there haven’t been any interesting offers yet. If we’re going to make a deal with some label, label has to support the band i.e. financially so that in the studio band can focus on making the best possible record. We can smell the rip-off deals from mile away, that is also a reason we are still unsigned. 
 
HN: What are your long-term ambitions for the band? Are there any goals you have set yourself which you hope to achieve in the near future?  
K: Next thing is to get a proper deal with some label, make a full length album, and start doing more gigs. ´Cause we’re not sure if we want to release anything self-financed anymore. 
 
HN: Many thanks for giving up your time- if you've any further messages for the world, please go ahead: 
K: Thank you for the interview, and all readers go to www.myspace.com/solacide or www.solacide.com, you can order "Baptized in Disgust" from band (a) solacide.com

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