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| Hierophant
Nox: "Convokation" forms the third part of a trilogy- did you
set out to write a trilogy with already distinct phases in your mind, or did you write the
first part and realise the concept would not fit into one album? Sean: Yes, definitely a trilogy. It is an exploration of Crowley's Liber Legis with each album relating to each of the three chapters. Hierophant Nox: What was it about this particular Crowley output that grabs your attention? You have been investigating this work for many years- what are the goals your research, or what questions do you approach it with? How has your understanding of the book developed over the years? Sean: "The Book of the Law" encapsulates the tenets of the philosophy of Thelema. It was dictated to Crowley by an entity called Aiwass in1904 as a result of workings he had done to contact his higher self or Holy Guardian Angel. This magical link gave the work an authority above and beyond Crowley's own numerous works of exegesis on Magick and pointed the way to a spiritual path more in keeping with today's modern aspirants. There is a tradition that very negative energies are unleashed whenever the book is published so I was a little wary (and I did experience some of it) but I wanted to create something to complement a small book which has been a personal inspiration for over thirty years. Hierophant Nox: Are you a Thelemite yourself, or an interested outsider? Does "Do what thou wilt shall be the whole of the Law" correspond with your own personal and artistic philosophy? Sean: More than an interested outsider but not willing to be labeled so easily! I have a strong Thelemic core which is in harmony with the principles of following one's Will, of the notion that "every man and woman is a star" and the practice of Magick but I have also studied Tibetan Buddhism, Chaos Magick, Sufi and Wiccan philosophies. The ascendance of each tends to fluctuate over time as does my choice of artistic output - be it music, writing or art. Hierophant Nox: Crowley is one of these interestingly multi-faceted characters, about whom there are many contentions and mysteries (many self-perpetuated). What view do you take of him and his claims and studies? Clearly something about his work has resonated seriously with you, so what is it that causes you to believe in him? Sean: Well, here was someone who inherited a vast fortune at an early age and was prepared to spend it in the pursuit of Magick. He self published sumptuous first editions of his works and travelled the world seeking answers to the mysteries his Plymouth Brethren upbringing could not give him. Certainly he was never in need of a publicist, but then he believed he had a duty to illuminate or wake up others from the sleep of the mundane- and in his day his shock tactics were very effective! Having followed his trail throughout the Middle and Far East as well as North and South America its easy to still see some of the mysteries he would have encountered and understand how he was able to combine them with studies of Tantra and Kabbalah. Hierophant Nox: Reverting to the release; the album is available freely on the internet- what made you take this route? Was it due to beliefs about art, or did you seek a commercial label but just get the stage where you wanted it released in any way? Sean: It has a lot to do with artistic freedom and giving something to the community. I was also inspired by Trent Reznor's release of Ghosts by Nine Inch Nails. |
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| Hierophant
Nox: How did your partnership with bleak.at
begin? Have you been pleased with the relationship so far? Sean: Once I had decided that I wasn't going to release any of these albums on my own label I started looking for labels which would have a synergy with the work. Bernhard at Bleak was very patient as it ended up taking a few months longer than I had anticipated to get started! Hierophant Nox: You are an artist in many mediums- does your other work feed into and overlap with your music? Sean: Absolutely! Creating music has become the ultimate synthesis. As a poet, the lyric writing comes instinctively and as an artist I'm able to design the packaging of the music. Some of the themes by their size are more suited to short stories so its rewarding to be able to use whatever medium best suits a project. Hierophant Nox: What made music the medium of choice for exploring the "Liber Legis"? Sean: Well, the words of the text are all there already! I wanted to explore some of the themes in different, atmospheric ways and expressed in different words. There's an instrumental track on the first album called Aleister's Amazing Bookcase which comes from the fact that he used to take his core library of Magick books everywhere - even when climbing mountains in the Himalayas! With "Convokation Ov Ra-Hoor-Khuit" there is a major theme of war and the destruction of the old ways of thought. I wanted to reflect this in the much more guitar-orientated and heavier nature of the songs. Hierophant Nox: Even the most pragmatic of artists finds something a little special about creation; I know a very down-to-earth gentleman who gave himself the spooks recording in the dark the other night, and who believes this has translated into his music. Do you find there to be a ritual or mystic value in the writing, recording or performance of music? Sean: In many ways its like writing poetry. There is mystery afoot. Sometimes you can spend hours trying to find the moment where the Muse can enter and other times she just flings open the door and you have three songs finished! There is also the atavistic element to it. There are times when the groove becomes all consuming and you are locked into this other place. At those times it is very ritualistic, very shamanistic. When you look at the history of music its also obvious that there is something in these combinations of vibrations that humans find at times elevating. Hierophant Nox: Are you currently working on any other projects, musical, artistic or poetic? Do you tend to be constantly active with different creations? Sean: Yes - I have a number of songs for compilations and am contributing short stories to Estronomicon magazine. I find creativity to be wrapped around my very being, its just something you have to do. It's always been a desire to wake others to the beauty and mystery in the world and so it's easy to emphasise with characters like Crowley! Hierophant Nox: What are your plans for Gothick? Are there any objectives you have set yourself which you would like to meet in 2009? Sean: I'm planning a physical release of the trilogy with extra material on my own label, Zos House and the album "The Machine Ov Illumination" which was stalled by this work. I'm also planning to work with a number of other musicians including Steve Rogers and George from Kristus Kut. Hierophant Nox: Many thanks for finding the time to talk with us, Sean; if there are any further messages you would like to spread to the world, please go ahead: Sean: Thanks, It's been fun. Just the usual plug for www.gothick.co.uk where you can pre-order the trilogy and my blog at www.seanwoodward.com ! |