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ALBUM REVIEW
Faulnis - Gehirn Zwischen Wahn und Sinn
Karge Welten Kunstverlag
 
Germany’s Faulnis have been muddying the waters of depressive black metal for some time now, with a number of demos and a debut full-length, “Cholerik: Eine Aufarbeitung”, already tucked under their belts. Being neither Scandinavian nor North American, Faulnis don’t particularly feel the need to fit into any prevailing suicidal trend, which is often to their benefit; “Gehirn Zwischen Wahn und Sinn” paves its own ominous, repetitive, doomy, thoughtful way, at times attacking with the rabidity of punk, at others adopting a progressive beauty that transcends black metal entirely.
 
“MorgenGrauen” kicks off proceedings with a driving, dark, simple yet well-penned black metal riff, overlaid with a rather haunting, attention-grabbing lead that lingers in the mind for a long time after. Seuche’s shouty vocals remind us that this isn’t an album about feeling sorry for oneself; it’s an insistent, creepy assault, or as the band put it, “an unrequested guest”. “Angstzustand” mixes up a clean guitar layer with a stomping main riff, set off by another hypnotic, atmospheric lead. “Weisse Wande” is another standout, with an excellent, gnarly guitar tone, and a swirling, rich, progressive aura later on. Faulnis do well at mixing the grand and beautiful with the ugly and uncomfortable, and also at upsetting expectations – while you may think you know where they are going with a never-ending loop of loose leads or driving riffage, the carpet can always be whipped from under your feet with a dramatic collapse into ambience.
 
Though this often counts in the band’s favour, there are often a few moments on “Gehirn Zwischen…” that seem dangerously unfocused. Mixing up influences and directions is all well and good, but it doesn’t need to be done over the space of one song. Sometimes the planned collapses actually cut off the band’s momentum, as in the rather pointless break during “Kopfkrieg”, which chokes off seemingly before it’s really ready to do so. Faulnis have got repetitiveness entirely right – their frightening, reverberating creations set a perfect mood of depression and fear. Still, it seems that there’s some way to go in coming up with sections that will contrast with the depressive parts without leading us all down a confusing garden path.
 
Faulnis certainly have a lot to add to the depressive black metal subgenre; they are uninhibited creators of unsettling aural spaces, bold with their ingredients, structures and unpredictable influences. “Gehirn Zwischen Wahn und Sinn” may be difficult to follow at times, but one does get the impression that misdirection is all part of the fiendish game with this act. I’m sure many fans of the dark, eerie and downright weird will find much to enjoy here.
69/100
Ellen Simpson
 
www.myspace.com/sickblackart
www.sickblackart.de

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